
About
Boston - based soprano and flutist Mara Riley is recognized for her compelling musicality, having a particular affinity for early music, art song, and ensemble work. She plays both modern and Baroque flute.
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The 2025-2026 season will bring performances with the Boston Early Music Festival in Boston, New York, and Germany. She will sing the role of Armillo in Provenzale's La Stellidaura vendicante. She will also join the company of Telemann's Don Quichotte at the Magdeburger Telemann-Festtage in Magdeburg, Germany. She will sing with Emmanuel Music - Errolyn Wallen's Dido's Ghost (Belinda), and as a soloist & ensemble member in Emmanuel's 55th Cantata Series. She will make her debut with Aeternum in Napa Valley, CA, and return to sing with Nightingale Vocal Ensemble. She will also join the Handel + Haydn Society for their performances of Telemann's Ino.
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This summer, she spent two weeks in Toronto as an art song fellow with Toronto Summer Music.
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​In the 2024-2025 season, she performed with the Boston Early Music Festival as both a singer (Telemann's Don Quichotte) and a flutist (Telemann's Pimpinone and Ino). She appeared as the soprano soloist with the Colorado Bach Ensemble (BWV 47), Emmanuel Music (BWV 127, 227, 122, Ruehr’s Song of the Earth), and the Boulder Bach Festival (arias by Vivaldi, Agnesi, Merula, and Caccini). She also joined the Boulder Bach Festival as flute soloist for Bach's beloved Brandenburg Concerto no. 5. She performed John Tavener's Akhmatova Songs with The Sarasa Ensemble.
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She finds great fulfillment in ensemble singing, having sung with various professional church choirs across Boston. She sings regularly on Emmanuel Music's weekly Cantata Series, as well as their season concerts (Bach's St. Matthew Passion in 2024, "Christmas at Emmanuel," and Bach's B minor mass in 2025. She has sung regularly with Nightingale Vocal Ensemble. She was one of the 2024/2025 Voces8 US Scholars and was featured in concert with both Voces8 and Lyyra.
In 2023, she was named first prize winner in the Colorado Bach Ensemble's Young Artist Competition with her performance of Jauchzet, Gott in allen Landen. She was the 2023 soprano fellow with Emmanuel Music’s Bach Institute, and she has since been a regular ensemble member and soloist with Emmanuel Music. She sang Handel’s Samson with the Cambridge Chamber Ensemble (Philistine Woman), and was the soprano soloist for two performances of BWV 10 with the Colorado Bach Ensemble. She was named winner of the 2024 Rhode Island Civic Chorale and Orchestra Collegiate competition, and was later featured as soprano soloist in their performance of Handel's Messiah. In 2023, she appeared as soprano soloist in Handel’s Israel in Egypt with the Back Bay Chorale under the baton of Anthony Trecek-King. She was the soprano soloist in Handel's Messiah with the Boulder Bach Festival, in both 2023 and 2021.
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In the summer of 2024, she joined the orchestra for Blue Hill Bach's St. Matthew Passion (Baroque flute).
She sang the role of Calisto in Cavalli's La Calisto in the New England Conservatory's 2023 production. Other favorite opera roles have included: Mary Bailey in Heggie’s It’s a Wonderful Life, Flora in Britten’s The Turn of the Screw, Belinda in Purcell’s Dido and Aeneas, and Héro in Berlioz’s Béatrice et Bénédict.
Art song is an important part of her musical life. She will be a 2025 fellow with the Toronto Summer Music's Art of Song. Her performance of Poulenc's Il vole (Fiançailles pour rire) was awarded the Honorable Mention (Best Performance of a non-contemporary work) in the 2024 Calliope's Call Young Singer Art Song Competition. She was heavily involved in the art song activities at NEC, as a member of the selective Song Lab. She continues to take on various art song/recital projects, and has a special love for the music of Hugo Wolf. She was the runner up in the University of Colorado Honors Competition (2020) for her performance of Britten's Les Illuminations.
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She recently completed a double masters (MM '24) in Flute and Vocal Performance at the New England Conservatory, in the respective studios of Paula Robison and Lisa Saffer. She holds a double BM from the University of Colorado - Boulder, where she studied with Christina Jennings and Jennifer Bird-Arvidsson. She studies Baroque flute with Andrea LeBlanc.
When not practicing, she loves to be outside (especially when the sun is out) and can often be found hiking or backpacking in her home state of Colorado. Her goal in life is to meet as many dogs as possible.

Resume

2025-2026 season
Boston Early Music Festival
Telemann's Pimpinone and Ino
BEMF Chamber Orchestra (flute)
June 2025 - Boston/Great Barrington​
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Toronto Summer Music
The Folk Influence: Debussy & Brahms
Vocal Fellow
July 12, 2025 - Toronto, CA
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Toronto Summer Music
Melancholia: Fauré & Chausson
Vocal Fellow
July 19, 2025 - Toronto, CA
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Emmanuel Music
Errolyn Wallen's Dido's Ghost
Belinda
October 18 & 19 - Boston, MA​​
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Emmanuel Music
BWV 180
Soloist
November 2 - Boston, MA
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Boston Early Music Festival
Provenzale's La Stellidaura vendicante
Armillo
November 29 & 30 - Boston, MA​
December 1 - Troy, NY
Aeternum
Christmas in the Vineyards
Ensemble
December 12 & 13 - Napa, CA
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Emmanuel Music
BWV 133
Soloist
December 24 - Boston, MA
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Handel + Haydn Society​
Telemann's Ino
Orchestra (flute)
January 9 & 11 - Boston, MA
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Nightingale Vocal Ensemble
Il Nuovo Suono
March 6 & 7 - Boston, MA
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Magdeburger Telemann-Festtage
with the Boston Early Music Festival​
Telemann's Don Quichotte
Shepherdess
March 20 & 21 - Magdeburg, Germany
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Listen
Ariettes Oubliées IV. Chevaux de bois, Debussy Rafe Schaberg, piano
Piante ombrose Cavalli's La Calisto
Dohnányi - Aria for Flute and Piano Deborah Emery, piano
BWV 127 with Emmanuel Music Aria begins at 7:18
Philistine Woman's Aria - Ye Men of Gaza Aria begins 11:07
Jacques de la Barre - Suite III, La Coquette With Guy Fishman, cello, and Ian Watson, harpsichord
On Stage

Headshots
